This webite is dedicated to the world-famous Danish entertainer Victor Borge. Long live his memory.

 

 

                                                                        Victor Borge. Long live his memory.

 

 

                                This webite is dedicated to the world-famous Danish entertainer

 

 

                                                               

                                   As a pianist he's so gifted, as a comedian he's hilarious- he's both! Extradinary!!

 

 

 

 

 

 

 

 

1세기에 나올까 말까한 천재의 video를 다시 접할 수 있는 기회가 주어져서 다른 것도 대단하지만(밑에 있는 설명)

이것 처럼 눈물나게 잼 있고 즐긴 음악은 거의 없습니다. 같이 쉐어 하고자 올립니다.

예전엔 다른 video를 보냈지만 이 번엔 유명한 성악가를 곁들여 보냅니다.

coloratura의 정상급 opera singer-MERILYN MULVEY-를 소개합니다.

 

 

너무 잼 있어서 속편을 같이 올렸습니다.

보고 보고 또 봐도 좋은 영상.

 

 

 

                                       이 천재 MR.VICTOR B.에게 클릭하세요 !!!

 

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Among Borge's other famous routines is the "Phonetic Punctuation" routine, in which he recites a story,

with full punctuation (comma, period, exclamation mark, etc.) as exaggerated onomatopoeic sounds.^[15]

Another is his "Inflationary Language", where he incremented numbers embedded in words,

whether they are visible or not (once upon a time" becomes "twice upon a time", "wonderful" becomes "twoderful",

"forehead" becomes "fivehead", "tennis" becomes "elevennis",

"I ate a tenderloin with my fork and so on and so forth" becomes "'I nine an elevenderloin with my five'k' and so on and so fifth").^[16]

Borge used physical and visual elements in his live and televised performances.

He would play a strange-sounding piano tune from sheet music, looking increasingly confused; turning the sheet upside down,

he would then play the actual tune, flashing a joyful smile of accomplishment to the audience (he had, at first, been literally playing the actual tune upside down).

When his energetic playing of another song would cause him to fall off the piano bench,

he would open the seat lid, take out the two ends of an automotive seatbelt, and buckle himself onto the bench,

"for safety." Conducting an orchestra, he might stop and order a violinist who had played a sour note to get off the stage,

then resume the performance and have the other members of the section move up to fill the empty seat while they were still playing.

His musical sidekick in the 1950s, Leonid Hambro, was a well-known concert pianist. In 1968, classical pianist Şahan Arzruni joined him as his straightman,

performing together on one piano a version of Liszt's Second Hungarian Rhapsody, considered a musical-comedic classic.^[17]

                             이 유명한 천재에게 클릭하세요 !!!

 

 

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